crow, crow, cry out.

mixed media on tracing paper.

40x40cm unframed. 2009.

Work for Signature, work on paper

Look me in the eyes. one and two.

Pencil, acrylic on tissue and tracing paper.

30x30cm. 2009

These two pieces are going to be part of a group exhibition in

South Africa "Signature, work on paper"

The show has been organised by the lovely Anna Alcock and
Kirsten Schmidt at Inky Cuttlefish Artist studios in Walthamstow.

.

Some work in progress.

Stage one "ways i'd like to be remembered"

more to come as it progresses.
(It would be happening alot quicker if I didn't keep leaving my fifth needle in the studio...)

a new little bit of work...

evolution or one thing after another.

used fabric. 2009.

a few pictures from the opening night...

... more to follow when I track down those people with cameras. I had the usual "i am sure i took more" feeling but in reality the wine took over and that was the end of that.
Anyway here's a few so you can get the idea...

mmm...free food. The mainstay of any good private view.
(well that and free booze which is just to the right out of shot!)








The visitors book.


























The necessity of nofunctionality
(front and back)











i like the idea.
exhibition view.















negative birds.











Velocity. framed at last!


I had a few points where viewers could take part, create and add to the show. I thought it would be a nice way to document the exhibtion rather than just through photos. Here is what happened on the opening night...

































These have been really cool to watch evolving and growing but the postcards have really blown me away. The wall is now pretty much covered with pictures and notes and little secrets. Thank you all to those that have taken the time to do them and, better yet, leave them to be part of the exhibition.